04/14/2026 · Tue/Thu 10:30-11:45 AM · Brad Bannon · Boston College
The class session focused on the concept of līlā (divine play) and the pivotal theophany in Chapter 11 of the Bhagavad-Gītā. Moving away from a traditional lecture format, the instructor engaged students in a creative 'play' session using clay to sculpt representations of key theological concepts, including the chariot allegory from the Kaṭha Upaniṣad, the Narasiṃha Avatāra, and the concept of Iṣṭa-devatā. The discussion centered on the Viśvarūpa—Krishna’s revelation of his universal form to Arjuna. Brad emphasized that this revelation is an act of grace, requiring a 'divine eye' because the human eye cannot process the infinite nature of the divine. The session also touched upon the dual nature of grace: the grace of revelation and the grace of concealment, as Arjuna becomes overwhelmed by the vision and requests Krishna return to his familiar human form. Comparisons were briefly made to Christian theophany, specifically the Transfiguration in the Gospel of Mark, and other Hindu narratives like Krishna’s mother, Yaśodā, seeing the universe in his mouth.
THEO 1432: The Religious Quest · Brad Bannon · Boston College
Generated by Mitra